• This butterfly sports a flowing fish scale pattern of shell radiating from its center to its wingtips. The artisan details the butterfly in gold flakes and different hues of brown, while the texture of the shell is complemented with three dimensional features within the metalwork. The warm neutral tones make this a very versatile piece that fits many color schemes.

    The basic frame of the butterfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of butterflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Case of 4 The frame of this clock is made with solid capiz oyster shell, compressed into shape. The texture and lines of the individual shell pieces still come through the broad brush strokes of brown on the background of the clock. The distressed look of the earthy, rich background color giving an aged feel which is complemented by the added detail of the weathered, hand-painted numbers. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • The frame of this clock is made with solid capiz oyster shell, compressed into shape. The texture and lines of the individual shell pieces still come through the broad brush strokes of brown on the background of the clock. The distressed look of the earthy, rich background color giving an aged feel which is complemented by the added detail of the weathered, hand-painted numbers. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • The frame of this clock is made with solid capiz oyster shell, compressed into shape.The artist calls attention to the uniqueness of each shell in the center with a high-gloss finish. Bold, roman numerals stand in contrast to the shell within the clock face. Color blocks adorn the outer rim of the clock in muted tones. The roman numerals combined with the color palette are strongly influenced from Tuscan design. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • Case of 4 The frame of this clock is made with solid capiz oyster shell, compressed into shape. The face is hand-painted to appear as if it is aged porcelain, promoted by the natual colors of the capiz shell. The look is further accentuated by gentle distressed marks. The black, bold numbers vary in size and stand in strong contrast to the pearl background. The combination of simple color palette and the seasoned feel of the porcelain finish are quintessential hallmarks of the modern farmhouse design genre. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • The frame of this clock is made with solid capiz oyster shell, compressed into shape. The face is hand-painted to appear as if it is aged porcelain, promoted by the natual colors of the capiz shell. The look is further accentuated by gentle distressed marks. The black, bold numbers vary in size and stand in strong contrast to the pearl background. The combination of simple color palette and the seasoned feel of the porcelain finish are quintessential hallmarks of the modern farmhouse design genre. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • Case of 4 The frame of this clock is made with solid capiz oyster shell, compressed into shape. The texture and lines of the individual shell pieces still come through the hand-painted clock face. The center of the clock is sponge-painted resembling a Mediterranean, terra cotta finish. The darker outer rim and contrasting white, weathered numbers, complete this piece to feel as though it came from the old world. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • The frame of this clock is made with solid capiz oyster shell, compressed into shape. The texture and lines of the individual shell pieces still come through the hand-painted clock face. The center of the clock is sponge-painted resembling a Mediterranean, terra cotta finish. The darker outer rim and contrasting white, weathered numbers, complete this piece to feel as though it came from the old world. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • Case of 4 The frame of this clock is made with solid capiz oyster shell, compressed into shape. The artist seals the shells, leaving the natural color of the capiz as the base, pearl color of the clock face. Intricately designed blue roses are hand-painted and purposefully placed along the outer rim. Bold roman numberals are evenly spaced to complement the strong floral design. The combination provides a strong vintage appeal. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • The frame of this clock is made with solid capiz oyster shell, compressed into shape. The artist seals the shells, leaving the natural color of the capiz as the base, pearl color of the clock face. Intricately designed blue roses are hand-painted and purposefully placed along the outer rim. Bold roman numberals are evenly spaced to complement the strong floral design. The combination provides a strong vintage appeal. Capiz is an oyster shell and the primary purpose of the oyster is as a source of food. However, the by-product, the shell, can be used for decoration. The clock is created by compressing capiz shell together and forming it into shape. The final result is a light-weight, plate that feels similar to plastic. Due to it being a natural material, the natural colors of the capiz may come through as tans and browns underneath the hand-painted surface.
  • Case of 6

    Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Case of 6

    Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Case of 6 Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing. The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.
  • Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing. The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.
  • Four dragonflies are taking a mid-day break from fluttering and their characteristically unpredictable flight patterns around the lake. The slender, metal body of each dragonfly connects to colorful, capiz-shell wings, which catches light and adds shine. Each wing is framed using sturdy wrought iron and reinforced with a metal backing.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • The aqua color of this dragonfly and the capiz shell complement each other in such a way that it almost looks like one is looking at cobalt glass. This color is accentuated by the copper tone bordering the aqua centers. This is truly an impressive piece combining natural materials and colors and creating something breathtaking. The upper wing adorned in capiz is contrasted by the handcrafted metal lower wing. Both components meld together for a piece that showcases the artists talents.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Reflecting the natural greens and blues of the nearly translucent dragonfly wings, the artist uses a base of capiz shell on the lower wings to embody the almost ephemeral structure. The upper wings feature a hand etched pattern mimicking the texture of a dragonfly�s organic wing structure. The blues and greens continue down the body creating a lively and colorful piece.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • Angelic and graceful, this dragonfly is distinctive and regal. The wings of this piece are rather large and stately, particularly when this beauty flies on the breeze from flower to flower. The artist brings this to life by crafting the body smaller compared to the wings. The upper wings are adorned with capiz shell, giving it the translucent color seen in the natural dragonfly. The lower wings are constructed from tin and the colors help accentuate the vein structures. The combination of the two will add both color and structure to your wall and your room.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

  • These swift fliers fly low to the ground and do not stay in one spot for very long. The artist captured bright cobalt blue color which is truly striking. Accent your wall with a color that has been given a stamp of approval by nature.

    The basic frame of the dragonfly is created using tin, which is powder-coated with a black finish and makes this piece safe to use outdoors. The edges of the frame are reinforced using thicker tin wire. The front of this piece is adorned in areas with capiz shell, an oyster native to the Philippines, before being hand-painted and sealed with a water-based sealant. The primary purpose of this oyster to provide a source of food, however, the shell is a sustainable by-product that can be used for decoration. The capiz shell subtly replicates the reflective qualities of dragonflies in nature. The entire piece is lightweight and has an eyelet in the back allowing it to be hung using a finishing nail, command strip, or a push pin. Due to it being a natural material, the organic colors of capiz come through as tans and browns underneath the paint.

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